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32: Cinematic Sword Fights

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Here to help you keep cool, it’s the newest episode of Geek at Arms! In Geek Out James describes how the watching the recent streaming movie of the musical Hamilton changed his perception of musical theatre. He and Bryan also rejoice that latest book of The Dresden Files series by Jim Butcher, Peace Talks, has finally been released. Next Mike shares how much he’s enjoyed introducing his daughter, albeit by guilt trip, to the Star Wars Miniatures game from Wizards of the Coast and how much she’s enjoyed it. Bryan continues his trek through the MCU with the series Cloak & Dagger. He admits that it surprised him with it’s high quality storytelling and he enjoyed it as much if not more than Runaways! Finally, the guys delve deep into cinematic swords fights, how they compare to actual historical combat, and what is required to make an on screen sword fight look good.

Aragorn vs Lurtz in Fellowship of the Ring succeeds in the realms of drama and believability, but the camera work and a lack of contrast between costuming and set make it difficult for the audience to understand the fight.

In The Empire Strikes Back, the silhouettes of Luke and Vader against a bright yet indistinct background emphasize the stances and forms of the characters.

Jack and Will are back-lit against a set that, while detailed, is obscured by dust. The lighting and camera work allow the audience to clearly see the actors and understand the fight.

The Princess Bride’s choreography and drama is top-notch. Camera placement is generally adequate, but the lighting is flat, which allows the earth-tones of Inigo’s costume to blend with the set. Note that the colors are very similar to the Pirates shot above. The differences are almost entirely in lighting and atmosphere.

Good camera work and art direction—the forms are clear, but nobody believes Kylo has ever had any training.

Whose idea was it to put red-armored combatants against a red background, then hit them with a red weapon? Rey, also, blends into only non-red part of the set. Rey’s stance is at least reasonable, but who knows what Kylo’s doing?

Bees! Bees!

22: Picard, Spider-Man: Far From Home, and Ethical Situations in Video Games

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Although it released late in August, this episode was recorded on July 28, 2019, prior to the shootings that took place in El Paso and Dayton a few days later, which have prompted more conversation on the topic of violence in video games. We want to make it clear that we do not necessarily believe that video games are a root cause of the violence we currently see in our society. However, we do feel it is important to stress that the violence portrayed in some games should absolutely not be viewed as an effective or acceptable method of enacting change. We stand with the victims of these tragedies and affirm the ongoing value of all human life, celebrating our diversity and shared human experience. 

Coming back with another Super-Sized episode, Geek at Arms returns! Bryan, Mike, and James start off with an impromptu To The Future discussing the recent trailer for Picard and a teaser for the upcoming Lord of The Rings show from Amazon. James starts Geek Out with his thoughts on the final season of the Revolutionary War spy drama Turn: Washington’s Spies and how it led him to dig deeper in the subject by reading Washington’s Spies: The Story of America’s First Spy Ring by Alexander Rose. Next Bryan answers a listener question about the Oculus Rift and shares how much he loved Spider-Man: Far From Home. He also describes how things went with his first Primetime Adventures session, Shadows in the Toybox! Mike tells us about his recent vacation and the abundant amount of reading he did on it: from Civil War battleship history to biographies of JRR Tolkien to medieval fencing treatises by Ken Mondschein! Finally, the guys have a long discussion on ethical situations and moral dilemmas found in video games like Mass Effect, Star Wars: Knights of The Old Republic, and more.

Errata:  

Bryan’s Middle Earth lore failed him. Beleriand was destroyed at the beginning of the Second Age, a result of the War of Wrath. The fall of Númenor was accompanied by the bending of the seas and removal of Aman and Tol Eressëa from Arda.